Next Year (2002)
Everything by Sean Keenan & Brodie Milne
Rated M for language, sexual references, low level violence and adult themes
The Players:
Sean Keenan
Brodie Milne
Sandy Ralph
Flopsy Ralph
Buffy Keenan
Random Girl On Street
Random Girl On Street
What do you get when you mix a cheap home video camera, relatively amateur acting, terrible set design and 3 days of filming? To some, they see little more then what’s in front of them, a amateur ishly made home film, but with those who have a little patience and heart, they see a landmark.
Of course to truly appreciate this little ditty, you have to understand the stars and the era.
You see, Next Year represents more then just a comedy; it shows two guys at the zenith of their friendship. Keenan - who was going through a personal crisis prior to filming Next Year - was on the mend; Milne was at his unassuming best and it was an epicentre of sorts for the corniness of Phil Collins, the baggiest of pants, awful hair dye and pretentious filmmaking. And so it came to be: having done some small sketch comedies a year earlier, Next Year represented a desire to make something professional and of decent length. The result was almost an hour of footage, edited down to the 28 minute final product.
It was filmed during 3 beautiful winter sunny days in Broken Hill.. Like Gone With The Wind or anyNext Year represents an era. Of course it’s only a classic in a very small community, and no one is really comparing it to all the great movies of the past, but it does have its own legend. Just ask Keenan, and to a lesser extent Milne. It’s the harbinger of 2002, and offers great insight into how this pair acted to each other in the by gone days. Yes folks, ladies and gentleman, I give you the umpteenth review on ‘Next Year’, but it is this review that is the most detailed, revealing look at the process of making the film and what the film means and stands for – which is a genuine landmark.
It was filmed during 3 beautiful winter sunny days in Broken Hill.. Like Gone With The Wind or anyNext Year represents an era. Of course it’s only a classic in a very small community, and no one is really comparing it to all the great movies of the past, but it does have its own legend. Just ask Keenan, and to a lesser extent Milne. It’s the harbinger of 2002, and offers great insight into how this pair acted to each other in the by gone days. Yes folks, ladies and gentleman, I give you the umpteenth review on ‘Next Year’, but it is this review that is the most detailed, revealing look at the process of making the film and what the film means and stands for – which is a genuine landmark.
But what about Cilla? Does she see the film and get a glimpse on a bygone era? Brodie’s fiancĂ© has seen the movie and so has her immediate family. Do they see that Next Year is a timepiece worth preserving forever? Well perhaps, but mainly because of its content rather then it’s historical importance. Next Year is nothing if not a comedy, and it’s on that level that it succeeds better than as a cultural reference point.
Next Year was filmed on July 16, 17 and 18, 2002 in Broken Hill. Filmed at the boys own legendary school and both their backyards. When Brodie Milne, Sean Keenan and Zane Parr went on one of their (really cool) Friday night walks in April of 2002, Keenan had an epiphany; After the night was concluded Keenan walked home along Lane Lane (Brodie’s place of residence) and decided to call the movie after a quote Milne was constantly saying at the time: ‘Oh well, there’s always next year.’ This quote said by Milne was never really a comical quote of course, but then the best quotes sometimes never really were that funny. Keenan envisioned himself saying the same line at the end of the film with the words “NEXT YEAR” coming in place of the actual spoken words. It worked quite well in the end, but it would be the material in between the start and that quote that would become the stuff of legend.
Filming began on a Thursday afternoon at approximately 1 or 2pm with Keenan starting work at 4pm at the North Star Discount House. Day One (as it was actually called in the film), started simply, the idea was to get an interview with Ty Davis in, plus get an amusing intro with another ‘violent’ sketch in. A lot of people miss the cultural references in Next Year; the first one is the opening sketch. We see Milne killing Keenan with a ‘gun’. This is actually what the boys used to do in high school. Keenan would feign being shot and fall all over everybody… comically annoying, yet fascinating. With the Ty Davis interview being deleted for the theatrical release, the intro includes only a small snippit of Milne emulating Ty Davis. Again another thing constantly parodied. Keenan, who was obsessed with Genesis’ I Can’t Dance at the time, filmed a sequence of himself doing the dance. As with all crappily made home made films, a part of that made it into the feature. The reason being Keenan taped over most of it with sketches filmed the second day but decided to keep a small part of the dance in the film. Why? God knows, but you see my point about constant cultural references. All nonsense of course, yet more genius.
At this point it’s worth mentioning the boys had made 3 small sketch comedies before Next Year; all filmed in 2001. ‘Korny’, ‘Raven’, and ‘XTC’ were all short films but this doesn’t count as much experience. They went to make this film with a hands on approach; very little planning went into the film and with almost all of the dialogue ad-libbed it seemed like this project could possibly be doomed… and yet that feeling was never felt by the pair. In fact, this was indeed the most professional film Keenan and Milne had ever made. And this is almost still the case. Basically, they had a vision.
Day 2, Wednesday July 18, 2002 . This was the legendary day Next Year was mostly filmed on and therefore, the most important day. Although not a date massively regarded by Keenan and Milne, it is important nonetheless. The day had begun much as the previous as one had; there wasn’t too much discussion, just a few ideas. The golf shot, filmed very quickly within 20 or 30 minutes (or less!) was an intriguing idea. Although a golf shot had been filmed in earlier productions, this one was the best and remains arguably Keenan’s favourite scene. The Adam Gilchrist interview is possibly the best culture reference in the film. The ‘err yes Mr Watts, brdies here’ quote was actually used at school the previous month. The fact that at the end of the sketch Keenan ran away from “Gilchrist” only proves that the whole thing was ad-libbed and that there was no planned ending. To end a sketch it simply had to ‘feel right.’ Furthermore, it was all filmed in one take! Everything there was made up directly on the spot. The jumping into the bucket trick may well be the signature sketch of the film; it certainly was Ariels favourite, and is probably the only part of the film people from all walks of life laugh at. Again this sketch had been filmed the previous year, but this one was the best take. During the middle part of the day Keenan and Milne dined on beautiful chips and filmed at Willyama High School . What is meant by this is that clearly Keenan and Milne were enjoying the day’s proceedings. It would be these sketches that made Next Year folklore. Using Keenan’s mother’s toy ‘Lenny the lion’ who was at the time 44 years old (now 51), Keenan memorably committed suicide several times without actually dying. The sketches could have been slightly better filmed and perhaps the last ‘jump’ shot could have been delayed a bit to allow the audience to laugh a little, but overall both boys were happy with the results.
The rolling down the Willyama ramp is ridiculous, but funny, and it’s great to see the ladder falling on Keenan whilst he coughs up blood.
Like all great sketch comedies there are recurring characters, and sometimes even some sort of link between sketches. Next Year is simular in some respects to this, although, mostly Keenan was playing the character ‘Shen Kennan’. Recurring characters were created but occurred sporadically.
Unfortunately, with Keenan being the more acclaimed actor and also a self-confessed camera hog, Next Year can sometimes appear very much like Keenan’s show, and yet, it is in this author’s opinion that it is actually Milne who is the funniest of the duo in the film. Fortunately, Milne gets just enough screen time and gags in to justify his legendary place in history. Indeed when Next Year is remade, or when another sketch comedy is created, Keenan has expressed interest in giving Milne bigger and better roles. Maybe just maybe, he could let Milne’s name appear first for a change.
Keenan slept over Milne’s house that night, and then began the ‘I don’t give a fuck’ Day 3. Opening the day with a very old tried and tested, trick photography sit and miss the chair skit, it was with the following scene that caused minor controversy with Keenan appearing in his first sex scene. Although this was considered in slightly bad taste, all the great films always make you think and ponder. I cannot say what the people in Perth thought of this sketch!
A massively edited out cricket scene and another interview with Adam Gilchrist concluded the film before Keenan’s famous send off “Oh well Brdie, there’s always…” but too much has been made of that over the years. Suffice to say however it was an ingenious send off.
Like so many films, the starting is the best before a gradual slide. While this is the case for Next Year, it has enough gas left in it to see it to the end this is because it is only a half hour show. Its humour is largely defined as slapstick with some corny stuff in there and some scatological humour; to a large extent it’s actually quite universal.
The final part of the DVD release includes a sketch that wasn’t originally in the film itself, and yet has taken on a life of its own. Keenan wanking and then ‘doing the dishes’ is a classic. Filmed as a sneak preview for the never-to-be-released, ill-fated ‘Wankers Anonymous’, the scene has garnered much popularity. It has essentially been classified as part of Next Year now, although Keenan says he’ll never add anything more recently released to Next Year. The scene as it was was released 8 months after filming ended. Further, Wankers Anonymous had some bad raps at the time, don’t believe the hype though, it’s a cut above the usual slapstick comedies and some scenes rival and top Next Years scenes.
Keenan and Milne don’t pretend it’s a great film. There’s no pretension in Next Year; it is what it is. Full Frontal used the same style crappy effects with very comic results. Sometimes a shoestring budget helps a films humour, and that’s the case with Next Year. Theres no denying it could never be shown at a professional show of course, but there’s no intention of thinking that high up. You Tube might be the finale for Next Year. Not bad for a 7 year old movie. Despite its flaws, it’s redeemed by the strength of its convictions.
Two best friends at their zenith, parading their sense of humour for all to see, citing cultural reference points and creating history as they went. The film will no doubt be reviewed and watched many more times, and we hope that these two guys remain best friends forever. LONG LIVE NEXT YEAR!!!!
























